MUSIC IN THE UNIVERSAL LANGUAGE
MUSIC IN THE UNIVERSAL LANGUAGE
Orlando O. Pinho, 80 years old, passed away on April 22, 2012. He was born in Murtosa, Portugal and emigrated to the United States in 1962 and resided in the Ironbound Section of Newark NJ before moving to Harrison in 1970.
Before coming to the United States, Orlando was a symphony orchestra player as well as a Cooper (wood barrel maker) in his father’s business. Orlando was a long-time band leader who founded the Sports Club of Newark Band, the “Orlando Pinho Band”, and “The Deltas”. Orlando played the clarinet, saxophone, keyboards and the bass guitar.
The quality of the “Orlando Pinho Band” later renamed “The Deltas” was reflective of Orlando’s classical music training. When wedding couples wanted a new song played as their wedding song, Orlando would ask them for a cassette tape recording of the song so he could transcribe the sheet music for his band members.
Orlando passed away peacefully at the end of a saxophone solo by Stan Getz in Antonio Carlos Jobim’s song, Corcovado (Quiet Nights Of Quiet Stars) with his family surrounding him after a three week hospitalization.
Orlando worked for Goldsmith in Newark and the Charles F. Guyon in Harrison. He was a Member of the Teamsters Local 560. Beloved Husband of Rosa for 52 years; father of Orlando Jr and wife Janet; and John and wife Gleidy. Brother to Ernesto Oliveira married to Maria “Tina”; and Maria DaGloria Oliveiral. Grandfather to Orlando Ryan Pinho and Nicholas John Pinho. Brother in law to Lazaro “Hank” Matos and his wife Phoebe; the late Joseph Matos; Manny Sapata and his wife Maria Sapata. Nephews Ernesto Oliveira, John “Rusty” Matos, Manny Sapata Jr., John Sapata, Sherry Matos , Marco and Tiago Oliveira.
In lieu of flowers, contributions to the St. Jude's Children Research Hospital, P.O. Box 50, Memphis Tennesee 38101 or online by clicking here. Mr. Pinho and his wife are long time supporters of the Children’s cancer hospital.
Orlando O. Pinho
The following is a letter written by Orlando Pinho to a Portuguese local paper called the Concelho da Murtosa on October 26, 2006 which was placed into an article featuring Orlando Pinho.
I arrived in the United States in November of 1961. I played saxophone and clarinet in various "luso-american" bands which did not have singers.
Since I already had a singer in my local band in Murtosa, Portugal, I was not satisfied with just playing in a band and I set out to be a band leader of an orchestra similar to my first band, Radar which would have a singer.
In 1963, I founded my first band in the United States which was called the "Sport Club Portuguese-Newark" because it played primarily at the Portuguese Club by that name.
The band was a great success with musicians from different nationalities. The band lasted exactly one year. At the of the year, the portuguese musicians in the band suggested that we form a Portuguese only band and so the Sports Club band disbanded and a new band formed taking my name.
The band moved from the Sport Club Portuguese to the Fraternal Luso-Americano Association (now extinct) and the "Orlando Pinho Orchestra" was formed.
It was 1964 and with this radical change, the band was a great success, the band was much better than any of my other bands. For fifteen consecutive years it was the best Portuguese-American dance band in the United States.
Between 1978 and 1980, there was in influx of new immigrants, from various races and with this diversity, new bands, bars, clubs, restaurants.
There were also new Portuguese-American bands like: Estrela do Vouga, Sinfonia 5, Iberia, Lisbon 70, Os 4 Rosas, Trio Litoral. My popular band began to fail because it was stagnant.
The public demanded more diversity and modern music and I decided to make radical changes to the band: I eliminated my name from the band, I let a couple band member go, I hired new musicians recruiting them from American music schools. I stopped playing the saxophone and clarinet and started playing the electric bass guitar. The band went from a brass band to a modern electric instrument band. A suave band was transformed into a loud band.
This new band was called "The Deltas" and because of the quality of my new band members, when we on occasion I improvised (all music can be improvised) my bass guitar sounded more like a saxophone and my new musicians would say, "Mister Pinho (as they used to refer to me as) You at times make the "Fender Bass" sound like a saxophone." I would simply respond that "Sorry about that, there are times I forget I'm playng a Bass Guitar."
The melodies that followed were always slow songs, Blue Songs, full of unison, where nobody missed a note, except on a rare occasion, because the musician knew I was a professional musician with a document to provide it on saxophone and a band leader who did not like anything out of tune.
For ten years, "The Deltas" competed with all the bands previously mentioned. The Band moved for the Portuguese Fraternal Association to the Portuguese Instructive Social Club from Elizabeth, New Jersey and continued our success as "The Deltas".
In 1990, still in the height of our successful revamping, I decided to retire, leaving the band and music forever.
The Deltas continued for a number of years competing with the previously mentioned bands. Ultimately, The Deltas disbanded.
If you have a photograph of one of Orlando Pinho's bands and want to share it with his family or the world via this website, Please complete the information below and we will contact you. We will make arrangements to pick up your photograph, scan it, and return the original to you. If you wish, you can scan it or have a family member scan it and send us the "Jpeg" file for us to use.
The Orlando Orchestra and The Deltas band played many social events and wedding through the late 60's, 70's and early 80's. If you have a picture of the band even one with them just in the background, we would love to make a copy for our archives.
Christ the Redeemer is a statute of Jesus Christ in Rio de Janeiro, Brazil. It is considered the second largest Art Deco statute in the world. It weighs 635 tons and is at the peak of the Corcovado mountain overlooking the city of Rio de Janeiro. A symbol of Christianity, the statute has become an icon of Rio and Brazil. The original is made of reinforced concrete and soapstone and was completed in 1931.